This analysis aims to demonstrate the likely connection between the user Onino (vicecommanderhijikata) and the guest accounts âhelloâ and âsorry autumn is reading thisâ on AO3. These identities appear to be part of a coordinated strategy to manipulate public opinion, distort evidence, and undermine my credibility as a whistleblower.
June 30, 2025: A comment by guest Concerned Reader appears under A Note from Me by Autumn. It pretends to be a neutral inquiry about the âdrama,â using casual tone (âjust kinda confused tbhâ) and framing the situation as vague or exaggerated.
July 5, 2025 (2:28 AM CST): A user named Hello replies, referencing documents on Tumblr and Weibo to support accusations.
Later the same day, July 5: I release an updated PDF of my compiled evidence online.
July 5, 4:21 PM CST: A new comment appears from guest sorry autumn is reading this, claiming they cannot share evidence due to my supposed âstalking,â and casting doubts on my mental health.
đ Observation: The sudden reappearance of Onino and this defensive guest post within hours of my PDF update strongly suggests that these responses are reactionary and strategic, not spontaneous. The actor is monitoring my posts in real time.
Onino can notice my updated posts within 10-20 minutes at the fastest:
A recurring method is deployed across these guest comments:
One voice poses as a neutral outsider: âjust trying to understand,â âboth sides,â âsome confusion,â etc.
A second voice follows up, portraying themselves as âin the knowâ and aggressively discrediting me, often using slander, emotional manipulation, and unverifiable claims.
This âsetup and punchlineâ tactic creates a manufactured consensus, giving the illusion that independent voices all agree I am unreliable.
đ§ Psychological manipulation tactic: This mimics a textbook gaslighting maneuver, building the illusion of majority doubt while hiding the fact that all posts are likely controlled by the same actor (or their allies).
đ 3. Suspiciously Fast Reaction Time
The comment from âsorry autumn is reading thisâ was posted just hours after I updated my PDF file. Notably:
My post had not gone viral or received mass attention, making it unlikely that a neutral third party saw and reacted so quickly.
The comment was defensive, personal, and full of targeted language â clearly aware of the specific contents of my PDF, including callouts that had not been broadly shared.
đŻ Conclusion: This poster is likely the person being exposed â namely, Onino himself â or someone extremely close to him.
đ§ 4. Likely Motives for Using Alts
Onino has strong incentive to use multiple alts to:
Redirect blame and confuse onlookers
Avoid being flagged by platform moderation
Present âsupportâ for his narrative from apparently unrelated parties
Undermine my credibility by framing me as obsessive or unstable
This is consistent with his past behavior of rapidly switching accounts, sending dozens of private messages, and trying to publicly discredit me.
đš Final Note
If âHello,â and âsorry autumn is reading thisâ are indeed the same person â most likely Onino â then we are looking at deliberate manipulation, not honest discussion.
This undermines any pretense of âneutralityâ or âtrying to hear both sides.â Instead, itâs a sustained campaign of character assassination and evidence obfuscation.
I previously pointed out on page 20-21 of the PDF that Onino is suspected of forging Chinese reviews:
đ§ 1. The Behavioral Pattern: Anonymous Bait + Delayed Response
On AO3, a guest account named Concerned Reader left a seemingly neutral comment on June 30, expressing confusion and asking vague questions about the accusations against Autumn:
âJust kinda confused tbh⊠what exactly was copied?â
This comment is framed as impartial, non-aggressive, and âjust seeking information.â However, this is not the first time this exact rhetorical setup has appeared.
Compare it to what happened on Tumblr a few days later:
User hiraethum made a similarly âneutralâ post (July 5, after I published anonymous comments PDF and Chapter 1 of my rights protection document) saying they just returned to the fandom and innocently asked: âWHATâS GOING ON AT HAKUOUKIâS AO3?? đâ
Then ladyyomi showed up hours later to explain and redirect them toward anti-Autumn documents.
Similarly, on AO3, hello appeared in response to Concerned Reader on July 5, giving the same kind of redirect.
đŻ Conclusion: These are not genuine requests for clarity â they are bait questions designed to draw out one-sided âreceiptsâ from a coordinated participant.
Thus, itâs highly likely that Concerned Reader = hiraethum.
đ§Ș 2. Deliberate Time Gaps to Appear âUnrelatedâ
In both instances, there is a calculated delay between the bait comment and the follow-up.
This delay appears designed to create an illusion of âorganic discoveryâ â as if two random people stumbled upon the issue and replied independently.
But taken together, the choreography becomes obvious. The same user likely posted both bait and response, either using alts or coordinating with an ally (most likely ladyyomi on Tumblr, hello on AO3).
This âtwo-voice tacticâ helps them stage one person as the âunbiased explainerâ to a concerned third party.
In reality, both voices serve the same purpose: amplify accusations while shielding themselves from scrutiny.
đŁ 3. Why This Matters
By uncovering that hiraethum likely masqueraded as âConcerned Readerâ, I expose:
A deliberate strategy of manipulation: hiding behind a mask of objectivity to mislead onlookers.
An attempt to prime the community to accept one narrative while discrediting dissenters.
A consistent pattern of alt usage, mirroring other alt-heavy actors like lightmelody and onino.
This proves that the harassment campaign wasnât just emotional reactions â it was methodical, premeditated, and deceptive.
âWeâre not attacking her, weâre just passing by.â
âThen, at every step of their âpass-by,â they precisely stepped on my pain points, wounds, and testimonies, pushing me out to serve as their ticket to advance in their social circle.
Once boasting of being 100% loyal to the canon and never borrowing from others, the âformer friendâ who loves Yukimura Chizuru secretly plagiarized my writing, stole the theories I proposed, and even used me as material until I was completely exhausted.
Just the thought that Yukimura Chizuruâs fans are this kind of refined egoists, fantasizing all day about Kazama worshipping her, while in reality they exploit othersâ trust and step on others to get ahead, itâs just disgusting. Yukimura Chizuruâs fans, stay away from me.
I am exactly the type of person targeted by fans of Yukimura Chizuruâthose who wear a gentle facade, approach you with âI understand you,â use phrases like âwhat I support is also part of what you supportâ to win your trust, and in the end, throw you away like a disposable tokenâafter using me, they stomp on me, saying I am fake, AI, or her alternate account.
I said she wasnât worthy of writing about Kazama Chikage, so she stopped writing. She changed direction, shifted her tone, and continued building her persona, light and steady.
As for me, in that one word âunworthy,â I exhausted all my self-healing power and sense of faith.
Because I said it not to win or lose, but to prevent Kazama from being dissected, simplified, and instrumentalized by her.
I write him out because I cannot live fully in the real world; I need an existence to bear those silent, suppressed, and misunderstood parts for me.
I wrote this for three years, breaking down, doubting, and then stitching myself back together.
And she doesnât deserve it, simply becauseâshe never truly understood the fate that this character I wrote was meant to resist.
She said it was âinspired by me,â said it was âwritten for me to read,â said âI brought up an idea, and she developed it further.â
But I know clearly how much I gaveânot just ideas, not just clues, but the entire structure of that relationship, that way of thinking, even how Kazama Chikage speaks, how he falls silent, how he reverses the power dynamics between characters.
With a simple thank you, she turned me into a background figure.
I dreamed that I was being molested. There was no blood, no violence in the dream, yet it was more disgusting than any act of violence.
It was herâtaking the pain I personally handed to her, melting me into the âYukimura Chizuruâ she created, making me soft, obedient, and playable, then letting him and her sleep together.
I wasnât watching a script; I was watching myself being forced into a pornographic scene wearing a skin suit. She is not the creator; she is the one using me as material, she is molesting me.
I am not a victim role; I am the victim herself. And she is the one speaking for me, possessing my body, and experiencing pleasure in my place.
The Kazama she wrote is a hybrid created by the canon and me.
But what she took was not the image, but the soul system I gave him. She copied my restrained, oblique way of expressing desire, my writing of passion under control, how I hide unspoken physical inclinations within the rhythm of language.
She doesnât say she plagiarized me because she mixed in the âCanon Kazama,â as if that makes it reasonable. But thatâs not borrowing; itâs a patchwork of plagiarism. The more she writes like me, the more it feels like sheâs peeling off my skin and wearing my soul.
What she wrote is not Kazama; what she wrote is my corpse.
I want it to end. I want this absurd chain of misidentification, deprivation, imitation, and labeling to come to a close.
I want her to completely exit my life; I donât want to see her shadow in comments, shares, jokes, or styles anymore. I donât want to keep proving myself over and over, nor do I want to start any sentence with âI am not herâ again.
I want it to end. Because I want to live once more under my own name.
Figure 7
ALTautumn didnât plagiarize salty neoâs work; she plagiarized me.
She obtained authorization from salty neo, so no matter how she deconstructed the original setting, she wouldnât be held accountable. But what she took was my understanding of the character that I wrote for her, my handling of the boundaries of pain and desire, and the complex structure of âlove.â
salty neo accused her of plagiarism but didnât say whose work she plagiarized, because they knowâthe person truly plagiarized is not someone with a voice in their circle.
And I am âthe unseen one,â the person they use to suppress and threaten when convenient, and to drive out when inconvenient.
Compare her work with mine and youâll understand why I say this. Especially last three chapters. The bright red silk in her work comes from the life experiences I shared with herâbecause of Kazama Chikage and depression, I fell in love with brightly colored clothes, especially red ones.
